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Mad Men: Season 2
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Extra Blu-ray-opties | Editie | Schijven | Amazon-prijs | Nieuw vanaf | Tweedehands vanaf |
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"Probeer het later opnieuw" | — | 3 | € 35,46 | € 35,46 | — |
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Productbeschrijving
The complete second season of the Golden Globe-winning drama set in a prestigious advertising agency in early 1960s New York, where sexism is a way of life and everyone smokes like a chimney. In this highly competitive, all white, male-dominated environment, the indefatigable Don Draper (Jon Hamm) is the top ad executive, but there are plenty of young guns eager to topple him from his perch. The episodes are: 'For Those Who Think Young', 'Flight 1', 'The Benefactor', 'Three Sundays', 'The New Girl', 'Maidenform', 'The Gold Violin', 'A Night to Remember', 'Six Month Leave', 'The Inheritance', 'The Jet Set', 'The Mountain King' and 'Meditations in an Emergency'.
Productgegevens
- Breedte/hoogteverhouding : 1.78:1
- Is Discontinued By Manufacturer : Nee
- Taal : Engels
- Productafmetingen : 1.5 x 17.2 x 13.5 cm; 83.16 gram
- Modelnummer item : 5060052417466
- Uitvoeringstijd : 9 uur en 45 minuten
- Acteurs : Jon Hamm, Elisabeth Moss, Vincent Kartheiser, January Jones, Christina Hendricks
- Ondertitels: : Engels, Spaans
- Studio : Lionsgate UK
- ASIN : B001T0HGGQ
- Land van herkomst : Verenigd Koninkrijk
- Aantal disks : 3
- Klantenrecensies:
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As in Season 1, the acting is a joy to watch. There is not a weak link. I particularly liked Mark Moses as Duck Phillips, a character who'll be familiar to many who've worked in the private sector: the ambitious loser who won't settle for anything less than senior management, his career portfolio a catalogue of misjudgments.
I didn't give this 5 stars because beneath the style, there is some variability in the quality of the writing; while in most episodes it is excellent, in a couple of them the dialogue is a little predictable and the plotting contrived. I also observed numerous verbal anachronisms (e.g. "Your job is to manage people's expectations" - sorry, but no way did people talk like that in the 60s!). You may say this doesn't matter, but given the obsessive attention to period detail in the sets, I feel it's a valid criticism.
There is always a danger with long serials that they end up somewhat "soapy", with characters changing to fit plots and provisional climaxes gradually undermining the dramatic tension. I'm not saying this has happened with Mad Men, but I'm starting to wonder if there's any real answer to the question, "What is Don Draper like"? The promise of a resolution to his identity crisis still hangs in the air, and I don't feel it can be put off indefinitely.
Don't get me wrong, this is an excellent drama, with substance behind the style. As I said above, the acting is wonderfully subtle, and the writing often is too; where it's not, the acting and the direction still carry it.

The point I'm going to make may seem minor and petty, but it's really not. If you're watching an entire season over several evenings, you don't want to keep watching the title sequence time after time, right? So you skip the first chapter and go straight to the start of the episode. Except on this set, chapter 2 of each episode starts about 10 minutes in. So you have to fast forward over the titles instead of simply skipping to the start of the episode, which is unnecessarily irritating. My boxed set of The Sopranos formats the title sequence as a separate chapter, as does my set of Season 1 of Mad Men. So why on earth didn't they do this with Season 2? Titles need to be formatted as a separate chapter!

Adverts to make people dissatifed with what they already got.
Story uses real news events, and products, with clever marketing ideas.
Shows the changes in fashion through the decades. Peter Rabson.

Don Draper's character has become too transparent and obvious. I preferred him as the more menacing, secretive, manipulative personna of the first series. The best character is his disturbed wife Betty who remains beautiful, troubled and on edge.
The series is facinating as a study of the clothes, life styles and social mores of early 1960s corporate America.
I look forward to buying the next series.
